Both self-flagellation and crucifixion stem from the particular fascination that Filipino Catholics have with Christ’s passion – the story of his torture, death and resurrection. Braunlein states, “The textual basis of Philippine Catholicism is the Pasyon Mahal, the translation of the biblical story in vernacular and in verse form” (Braunlein 2014, 66). This vernacular, poetic form of Christ’s passion have served as both as a conversion tool and a way to transmit “indigenous cultural values” (Braunlein 2014, 66). Performances of the passion may require up to three days. By partaking in self-flagellation and crucifixion, passion players bring the story to life and work to benefit themselves, their families, and their communities by “becoming Christ’s intimate” through their action (Zialcita 1986, 59).